The Sri Padmanabhaswamy temple is known to be the richest temple in the world as it is covered in gold. Besides its amazing riches, there are other mysteries within it that make it stand out from the rest.
So lets take a trip and travel to India to take a look at this sealed door.
Thousands of wooden boxes with mythical creatures and peculiar paperwork were found by chance in the basement of an abandoned mansion in the UK.
Dwarfs and fairies were considered but mere human fabrications before evidence of their existence started to emerge in recent years. Actually, proof of these fabled creatures existed long before, but there was no internet to spread the word about it.
In 2006, while leveling a site to make way for a new residential neighborhood, workers came across a worn-out mansion belonging to a man named Thomas Theodore Merrylin. Upon entering the basement of the building, they came across thousands of mysterious wooden crates sealed tightly.
Startled by this unusual discovery, the workers began opening up the boxes in search of some valuable yield. Instead of finding a pirate’s treasure, the crates contained bodies of odd creatures, the sort heard of only in myths and folklore tales. It was dubbed the Merrylin Cryptid Collection.
Thomas Theodore Merrylin was the former owner of the mansion. He was a Crypto-naturalist, Zoologist and Xeno-Archaeologist born in 1782 in Hellingshire, North England. Other than his unusual hobby of collecting remains of uncatalogued species, he is also recalled for his tremendous lifespan (160 years). According to accounts, at 80 years of age he resembled a 40-year-old, aspect which probably drew more attention than his unusual collection of rare specimens.
During his lifetime, Theodore embarked on a journey to the US where he would make his unusual collection known to a wider audience. He received much attention at first, but since his cryptids were so puzzling and the world view so narrow, he was labeled as a fraud and was soon marginalized by other cryptozoologists and naturalists.
While on this endeavour, he befriended several prominent mathematicians and biologists who were intrigued by his work, and also approved some of his concepts in fringe physics and chemistry. Theodore’s diaries found together with the specimens contained esoteric notions of quantum mechanics, a concept that was yet to be established at the point in time when the papers were written. Because of this, he was also strengthened by his friends to publish a study on the possibility of time travel.
As with most paradigm-threatening individuals, Theodore was soon to fall in dismay after he was accused of theft by another collector of rare specimens. His reputation was astray, so he returned back into vagueness. From this point on, nothing was heard of him anymore in the scientific community, that’s until 1942 when a man pretending to be Marrylin had donated a construction to an orphanage in London., with the sole desire to never unseal the basement.
The man looked no older than 45, so he was presumed to be a relative of Theodore. This was the last time anyone heard anything of him. According to modern standards, the man couldn’t have been the same person born in 1782, because that would make him 160 years of age, and while looking a quarter of that number.
However, his paperwork mention of an artifact dubbed ‘Alabast,’ which had unusual anti-aging properties. Since it hadn’t been discovered along with his collection, we can presume that Theodore never let it out of his grasp. Is it possible that he discovered the elixir of youth? And what about his mysterious legacy?
While some specimens are clearly the product of human ingenuity, there are others that intrigue even the most skeptical of minds. Sketches and illustrations reveal that a thorough analysis had been performed on the alleged mythical creatures, but it also points out to a possible blueprint which served as the basis of creation.
Whatever the case, the peculiar collection is sure to raise numerous questions. It cannot be dismissed as a forgery, or pure artistic creation. So, if proven authentic, it will challenge numerous notions imposed by our modern culture.
Is it possible that such fabled creatures existed in a not-so-far-away past? If so, why would such an alternative reality be concealed from us?
Photo courtesy Alex CF / Merrylinmuseum.com <— Complete collection can be found at this link
Believed to have originated from ancient Egyptian practices, what is known as a “Feejee Mermaid” was put up on display years ago. The “Fiji Mermaid” was popularized by P.T. Barnum of Ringling Brothers…
Being able to travel in time is something that has often been discussed, and it has been the focus of many movies. So far it has been seen as nothing more than a theory but would anyone believe a person if they said that they had traveled to a different time and come back?
Time Travel proof: ‘British intelligence worker’ reveals truth behind Mandela effect
Time travel is something that has fascinated many people for decades, and now a man from England by the name of William Taylor has come forward to say that he has been to the future on many different occasions and come back to tell the tale.
“Time travel was first successfully accomplished in 1981,” Taylor claims. “There is an infinite number of alternate universes, it’s possible every one of these universes exist and it’s possible to move between these universes. We developed a machine to not only time travel, but move between these parallel universes.”
Here is what Taylor – the time traveler – has to say to the world:
Taylor has realized that not everyone believes his story about being able to travel into the future and this does not seem to bother him. What bothers him more is fear of reprisal for telling his story. This is because he claims to have worked for the government in Britain along with the British Intelligence agency.
Taylor said that there are many advanced technologies being kept secret. He went on to say that in time they will be released to the public but for the time being, they are highly classified. He claimed that “they” would be coming after him for releasing the video and telling the truth and that he was putting himself at risk for speaking up. According to Taylor time travel was first accomplished in 1981, and there is an infinite number of alternate universes out there. He went on to say that it is possible that the universes exist and they can be moved between. Taylor claims that a machine was developed for time traveling and to allow people to move between the parallel universes.
In The Year 3000 Humans Live Underwater
Taylor spoke out above visiting the year 3000 and said that not a great deal had changed, other than humans lived under the water and he talked in detail about the things that he had seen during his time in the future. Taylor described looking up and seeing flying transportation in the sky above but only being able to see lights through what he claimed was thick smog. He went on to talk about going to 8973 and said that this was when the British government thought that machines and men would fuse together as one.
The video goes on and the longer that Taylor speaks about his time in the future and time travel the stranger it seems to get. He starts by talking about going into the future and time traveling and then goes on to talk about parallel universes and to travel to them. He then goes on to talk about invisibility and more. Whether you believe what Taylor has to say or you are skeptical about it, the video is rather entertaining to watch, and it may have some people wondering.
This little boy, Jeremy, had a near-death experience where he believes Jesus showed him a coming alien/demon invasion upon the earth… and it’s not going to turn out good for humanity.
His mother Giovanna highlights different details about her boy’s incredible experiences. She states that one day, she will see him again in Heaven.
Watch his full story in the mini-documentary below.
Habakkuk 3:16 When I heard, my belly trembled; my lips quivered at the voice: rottenness entered into my bones, and I trembled in myself, that I might rest in the day of trouble: when he cometh up unto the people, he will invade them with his troops.
Nephilim – the children of fallen angels and mortal men. What would be the effect on humanity’s history if we were to find out that these creatures really did exist, in a time humanity has long forgotten and erased?
Massive cover-up? 1000’s of Reports of Giant Skeletons Found
If proven, these giants will destroy everything we know about humanity’s current secular history – but is it a valid enough reason to destroy it when we do find it? This act is truly barbaric -because there is no longer any other evidence that could ever be recovered again, that would be the same.
Fantasy or reality? Nephilim remains that have recently been excavated have been making the Internet go wild
The Giant Skeletons hidden in the Smithsonian Museum
Smithsonian, the world’s largest, and albeit most powerful museum, has recently been under siege for harboring evidence of Nephilim remains – and destroying them when excavated. A hundred years ago, when archaeology was in its infancy, more colossal remains and giant skeletons were found – only to be destroyed by the Smithsonian – in order to “preserve” what we do know now.
In doing so, an entire age that could significantly tell us how humanity came about is gone – all because of the foolishness and ego of a few. However, these photographs are still not authenticated yet – which leave many to question: Are we missing out on an entire age?
The AIAA (American Institution of Alternative Archeology) seems to think so. They believe that thousands of years ago, before the Global Flood, these beings coexisted with humans. According to scriptures – they were the sons of fallen angels and men. There are rumors that there is a secret ruling to destroy the discovery of all Giants and Nephilim – from the U.S Supreme Court itself, to preserve our timeline that seems more believable. Giantism has led an individual to be the largest skeleton ever found, which was measured at 8 feet 11 inches. However, these beings were much greater in size – a sight to behold.
Alexandra David-Neel was born Louise Eugenie Alexandrine Marie David in France in October 1868, and was the first woman to gain the title of a Tibetan lama. A committed Buddhist who lived to the highly impressive age of one hundred years, she was a noted traveler, and someone who had a deep passion and love for Asia, and particularly so the Himalayas. David-Neel was also someone who helped bring to the Western world the phenomenon of the Tulpa.
Essentially, a Tulpa is an enigmatic form of life that has its origins within the mysterious depths of the human mind; but which, when carefully focused upon by the creator, and dutifully nurtured, can break free of its brain-based moorings and take on a degree of independent reality in the world at large. In simple terms, what we imagine internally – when we, quite literally, put our minds to it – can mutate into full-blown reality of an external nature.
Walter Yeeling Evans-Wentz, a writer, anthropologist, and pioneer in the study of Tibetan Buddhism, said of the Tulpa concept: “In as much as the mind creates the world of appearances, it can create any particular object desired. The process consists of giving palpable being to a visualization, in very much the same manner as an architect gives concrete expression in three dimensions to his abstract concepts after first having given them expression in the two-dimensions of his blue-print.”
He elaborated further: “The Tibetans call the One Mind’s concretized visualization the Khorva (Hkhorva), equivalent to the Sanskrit Sangsara; that of an incarnate deity, like the Dalai or Tashi Lama, they call a Tul-ku (Sprul-sku), and that of a magician a Tul-pa (Sprul-pa), meaning a magically produced illusion or creation. A master of yoga can dissolve a Tul-pa as readily as he can create it; and his own illusory human body, or Tul-ku, he can likewise dissolve, and thus outwit Death. Sometimes, by means of this magic, one human form can be amalgamated with another, as in the instance of the wife of Marpa, guru of Milarepa, who ended her life by incorporating herself in the body of Marpa.”
Alexandra David-Neel, who was never one to turn her nose up at a new experience, chose to attempt to create her very own Tulpa after learning of, and becoming fascinated and slightly awed by, the concept from Buddhist monks. She duly focused her attentions on the image of a kindly Friar Tuck-type character from the days and legends of Robin Hood of Sherwood Forest, England.
After months of deep meditation, in which she visualized her creation gaining form, David-Neel provided it with a character, history and background, and the day finally came when the mind-monk cast away its chains of the brain and strode forth into the heart of the real world. At first, David-Neel could only see the figure in her peripheral vision, somewhat shadowy and ethereal. That, however, soon changed, and not in a positive fashion either.
At first, all was good. In David-Neel’s own words: “He became a kind of guest, living in my apartment. I then broke my seclusion and started for a tour, with my servants and tents. The monk included himself in the party. Though I lived in the open riding on horseback for miles each day, the illusion persisted. It was not necessary for me to think of him to make him appear. The phantom performed various actions of the kind that are natural to travelers and that I had not commanded. For instance, he walked, stopped, looked around him. The illusion was mostly visual, but sometimes I felt as if a robe was lightly rubbing against me, and once a hand seemed to touch my shoulder.”
But, the friendly monk was not all that he appeared to be. Subtly, over time, he began to change, as David-Neel noted with regret later on. She reflected on the affair some years later, in the following fashion: “The fat, chubby-cheeked fellow grew leaner, his face assumed a vaguely mocking, sly, malignant look. He became more troublesome and bold. In brief, he escaped my control.”
There was no choice: If David-Neel allowed her creation to continue “living,” it had the potential to pose a very real threat to each and every one of those with whom it crossed paths. So, there was only one option available to her: The Monk had to be reabsorbed into David-Neel’s mind, and then banished into the depths of her subconscious, where it would ultimately, and eventually, fragment into nothingness, and its “life” would be forever over.
According to David-Neel, it took more than half a year for the Monk to finally lose form, return to her control, and ultimately vanish from our 3-D existence, and back into her dreams and imagination. And, eventually, and to David-Neel’s great and lasting relief, it was gone from those realms, too, utterly and finally obliterated.
But, the battle between David-Neel, who wished the creature dead and buried, and her creation, that was determined to cling on to its new-found existence no matter what, had proved to be a long and emotionally torturous one – thus demonstrating that creating a Tulpa is a matter that should never, under any circumstances whatsoever, be entered into lightly or without the benefit of a high degree of careful forethought.
Art can be interpreted in numerous ways but sometimes it’s just plain obvious what the artist wanted to express: aliens and UFOs.
The Alien Statues on Nuku Hiva Island
Stone stands the test of time. Because of this, we have the unique opportunity to see through the eyes of the ancients and, in the case of the Nuku Hiva sculptures, we can also gaze into the large, almond-shaped eyes of what could easily be described as a race of extraterrestrials.
Nuku Hiva is the largest island in the Marquesas Archipelago in French Polynesia. European explorers reached the archipelago in the late 16th century but by then, the islands had been inhabited for close to 2,000 years by native Polynesians. This culture had left behind a number of intriguing works of art depicting beings with bulbous heads, large eyes; their appearance is eerily reminiscent of the Grey alien form we’re accustomed to.
Some sculptures appear to represent hybrid beings exhibiting a mix of human and alien features. There are ufologists who claim there are two alien races carved in stone at Nuku Hiva: reptilian and grey.
Could these ancient works of art be a testament of extraterrestrial involvement? Did ancient aliens come into contact with the native populations, impacting them in such a way the humans felt compelled to carve their masks in stone?
Whatever the case may be, one more thing needs to be said: in the South Marquesan dialect, the island was called Te Fenua ‘Enata, meaning “The Land of Men.” Maybe as opposed to aliens?
The magnificent spaceships of the Anunnaki
Myths and legendary accounts from all over the world offer an abundance of clues regarding the presence of an extremely advanced race of aliens in ancient times, their influence still pervasive today.
In all likelihood, these beings helped erect massive monuments that have survived millennia, many more still waiting to be discovered.
Known by different names and considered gods, these creatures once crisscrossed Earth’s sky in spaceships, immortalized in various works of ancient art. Flight was not just a dream in antiquity, it was a reality, as evidenced by sculptures and engravings of rockets, vimanas, spaceports, landing pads. The Sanskrit epic Mahabharata describes in rich detail great battles that took place in the sky. The Mayan ruler Pakal’s tomb features a bas-relief showing the king in a seated position, controlling what looks to us like a flying machine.
Is it wise to see these artifacts only in a symbolic light? Do they not offer insight into the reality of ancient flight? What will we gain by ignoring the obvious?
The ancient star map at Mount Satan, Indonesia
In 1992, a geologist exploring a cave in Indonesia’s Devil Hills made a remarkable discovery. On top of a strange pile of rocks, C.A. Castillo saw a mysterious stone that looked like it had been carved by the hand of man.
On the surface of the mysterious stone, Castillo noticed a series of patterns that have yet to be explained. The engravings appear to show stars, the Sun, humanoid fingers and arrows pointing in multiple directions. Ufologists were quick to notice the symbols look very similar to one of our modern star maps, the golden disc aboard the Pioneer space probe. Could this ancient rock have served a similar purpose? Is it a map and if so, where does it lead to?
If the markings show a star system, it is not ours; this stone shows seven planets and a sun, arranged differently than the solar system we inhabit.
Even stranger is the fact that, whenever placed near electrical equipment, the stone starts exhibiting weird magnetic properties.
This puzzling artifact raises more questions than it answers. Who were its creators? Did they possess astronomical knowledge and if so, where did they get it from? We may never find the answers to these questions so we are left only with speculation.
The Ubaid Lizardmen
The Ubaid Lizardmen is the name given to a collection of 7,000 year-old statuettes found in Mesopotamia, the region widely considered as the cradle of civilization. All of these sculptures show an uncanny resemblance to modern depictions of reptilian humanoids.
Most of these artifacts were uncovered in an archaeological site called Tell Al’Ubaid, a small settlement in modern-day Iraq. This ancient community predates the nearby Sumerian citadel of Ur by more than 1,000 years.
The ancient Ubaid culture remains an enigma to this day. No one knows where they came from, how they looked or where they got the idea to craft representations of reptilian beings.
The strange figurines show both males and females in a variety of postures ranging from mothers breastfeeding to dignified characters holding staffs and exuding an air of dominance. This variety of representations has led open-minded archaeologists to conclude that the statues do not show intangible gods, but rather flesh-and-bone creatures that shared the same space with the humanoid Ubaids.
Their reptilian characteristics are plain to see and include elongated heads, serpentine eyes, scales and lizard-like snouts.
Are these statuettes proof of reptilian hybrid and human cohabitation in the land where civilization arose?
The Vinca figurines from Serbia
Figurines left behind by the Serbian Vinca culture have been puzzling archaeologists for a long time. The scientific world is divided and explanations vary but the mind thinks what the eye sees: these sculptures appear to depict a race of extraterrestrial visitors.
The peculiar head shape and the non-human eyes bring to mind the Grey alien archetype, with a bit of insectoid fused into it.
Over 7,000 years old, these statuettes were found in a lot of areas in South-eastern Europe, attesting to the non-locality of these alien visitors.
Alien Hybrid heads from Papua New Guinea
In the 1960s, two brave adventurers, husband and wife managed to become introduced with a mysterious Pygmy tribe in the jungles of Papua New Guinea. As a token of their mutual respect, the two parties exchanged gifts. The tribe elders gave the couple two unexplained artifacts that should not have been in their possession.
The intriguing relics speak for themselves: a bust with an elongated head, large otherworldly eyes and a decidedly-alien appearance. The other relic represented a bird or even a flying machine.
These ancient artifacts are definitely out-of-place and raise a few legitimate questions. How did the natives know about features not present anywhere in their population? Where did they get the technology to shape, carve and smooth the extremely hard rock?
The elders claimed these stone representations had been a part of their tribe for countless generations, their origin lost amid the inscrutable depths of time.
Do they show travelers from another dimension? From another time? Or are they simply the product of human imagination? But without reference, how could a tribe hold sacred a pair of stone idols? We’ll never know the answer.
The Tri-lobed Disc of Sabu
The first floor of the Cairo Museum is home to an enigmatic piece whose function archaeologists have yet to discover. A round plate with three sections bent towards the center, this oopart was uncovered in the tomb of Sabu, the son of Pharaoh Anedjib.
Dated at over 5,000 years, this relic could be seen as proof of advanced technology being employed in Ancient Egypt. Its function is unknown and, in an effort to dismiss the conundrum, researchers simply called the object a decorative plate. But it is plain to see that the disc of Sabu is the result of a complex technological process, so its function must have been very specific. Does it not look like a propeller of some kind?
Crafted from a very hard stone that was used to make delicate objects, the disc is incredibly thin even by today’s standards. Strong and light is the creed in modern aeronautics, so it makes sense that the same principles also applied 5 millennia ago.
Coupled with the idea that ancient Egyptians produced and used electricity, this piece of machinery could suggest we were not the first civilization to reach a somewhat advanced technological level.
Ignored by mainstream science, these incongruous relics hold in them the potential to awaken humanity to an alternative scenario, one where life is cyclic and most of the times, there is nothing new under the sun. And who knows how many other artifacts are hidden away or await discovery.